Archive for October, 2007
Monday Poetry Train – Classic Poetry for Halloween
The Raven
by Edgar Allan Poe
Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`’Tis some visitor,’ I muttered, `tapping at my chamber door -
Only this, and nothing more.’
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; – vainly I had sought to borrow
From my books surcease of sorrow – sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels named Lenore -
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me – filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
`’Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more,’
Presently my soul grew stronger; hesitating then no longer,
`Sir,’ said I, `or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you’ – here I opened wide the door; -
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, `Lenore!’
This I whispered, and an echo murmured back the word, `Lenore!’
Merely this and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
`Surely,’ said I, `surely that is something at my window lattice;
Let me see then, what thereat is, and this mystery explore -
Let my heart be still a moment and this mystery explore; -
‘Tis the wind and nothing more!’
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
`Though thy crest be shorn and shaven, thou,’ I said, `art sure no craven.
Ghastly grim and ancient raven wandering from the nightly shore -
Tell me what thy lordly name is on the Night’s Plutonian shore!’
Quoth the raven, `Nevermore.’
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning – little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door -
Bird or beast above the sculptured bust above his chamber door,
With such name as `Nevermore.’
But the raven, sitting lonely on the placid bust, spoke only,
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered – not a feather then he fluttered -
Till I scarcely more than muttered `Other friends have flown before -
On the morrow he will leave me, as my hopes have flown before.’
Then the bird said, `Nevermore.’
Startled at the stillness broken by reply so aptly spoken,
`Doubtless,’ said I, `what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful disaster
Followed fast and followed faster till his songs one burden bore -
Till the dirges of his hope that melancholy burden bore
Of “Never-nevermore.”‘
But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore -
What this grim, ungainly, gaunt, and ominous bird of yore
Meant in croaking `Nevermore.’
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet violet lining with the lamp-light gloating o’er,
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
`Wretch,’ I cried, `thy God hath lent thee – by these angels he has sent thee
Respite – respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!’
Quoth the raven, `Nevermore.’
`Prophet!’ said I, `thing of evil! – prophet still, if bird or devil! -
Whether tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted -
On this home by horror haunted – tell me truly, I implore -
Is there – is there balm in Gilead? – tell me – tell me, I implore!’
Quoth the raven, `Nevermore.’
`Prophet!’ said I, `thing of evil! – prophet still, if bird or devil!
By that Heaven that bends above us – by that God we both adore -
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels named Lenore -
Clasp a rare and radiant maiden, whom the angels named Lenore?’
Quoth the raven, `Nevermore.’
`Be that word our sign of parting, bird or fiend!’ I shrieked upstarting -
`Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! – quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!’
Quoth the raven, `Nevermore.’
And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted – nevermore!
TT- Halloween Costumes
I intended to make myself an awesome rockabilly pin-up girl costume, but then life happened, so I will once again be dressed as slutty strawberry shortcake.
Here’s 13 Halloween Costumes that Rock:
1. Candy Corn Witch

2. Chick with whip
I don’t know what she’s actually supposed to be but she has a whip and cute shoes. That’s all I need!

3. Slutty Snow White

4. Fire fighter
very appropriate for So Cal right now

5. Crazy Girl
HA! Jokes on them, I don’t need a costume for this one…

6. Gypsy Pirate type chick

7. Pirate Wench

8. Fuck Pirate Wench: PIRATE CAPTAIN! HELL YEA!!

AND NOW FOR SMALL CHILDREN
I would like to say that I fully support small children being dressed up as cute things for the amusement of adults.
9. Piglet
Heheh it’s cute!
10. Small flying thing

11. Ladybug

12. Pumpkin

13. Carebear!!!!!!!!!

New Review…
…for Forbidden.
Here’s my favorite bit:
“Forbidden is the most original and stimulating erotic/BDSM book to come along in a very long while. Forbidden is a pleasure to read and to think about afterwards. The author, Lila Dubois, has a unique voice with an unusual capacity to hold the readers attention from the first sentence to the last word of the book.
Forbidden is one of those stories I like to call a guilty pleasure. It’s the book you are reading when you should be doing housework or sneaking a peak while you are at the office, you simply can’t stop reading unless you are physically pulled away from your computer screen. “
Much love to Tonya over at The Romance Studio
Monday Poetry- The Awakening of Dermuid
The Awakening of Dermuid [Diarmuid]
By Austin Clarke (From “The Vengeance of Finn.”)
In the sleepy forest where the bluebells Smouldered dimly through the night, Dermuid saw the leaves like glad green waters At daybreak flowing into light, And exultant from his love upspringing Strode with the sun upon the height.
Glittering on the hilltops
He saw the sunlit rain
Drift as around the spindle
A silver-threaded skein,
And the brown mist whitely breaking
Where arrowy torrents reached the plain.
A maddened moon
Leapt in his heart and whirled the crimson tide Of his blood until it sang aloud of battle Where the querns of dark death grind, Till it sang and scorned in pride Love—the froth-pale blossom of the boglands That flutters on the waves of the wandering wind.Flower-quiet in the rush-strewn sheiling At the dawntime Grainne lay, While beneath the birch-topped roof the sunlight Groped upon its way And stooped above her sleeping white body With a wasp-yellow ray.
The hot breath of the day awoke her,
And wearied of its heat
She wandered out by the noisy elms
On the cool mossy peat,
Where the shadowed leaves like pecking linnets Nodded around her feet.
She leaned and saw in the pale-grey waters, By twisted hazel boughs, Her lips like heavy drooping poppies In a rich redness drowse, Then swallow—lightly touched the ripples Until her wet lips were Burning as ripened rowan berries Through the white winter air.Lazily she lingered
Gazing so,
As the slender osiers
Where the waters flow,
As green twings of sally
Swaying to and fro.
Sleepy moths fluttered
In her dark eyes,
And her lips grew quieter
Than lullabies.
Swaying with the reedgrass
Over the stream
Lazily she lingered
Cradling a dream.
April outs me as a Picky Bitch
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Hmmm. The brilliant April Martinez and I had strong differences of opinion on the cover of Savage. I don’t think I have the right to post the first one, but trust me, it’s different.
Teeth were knashed, snarky emails were sent, and threats were made on both sides.
I was catching up with my reading over at Bam’s Blog and discovered that April had outed me for being a picky bitch. Ouch.
“Other times I get questions, comments, and request for changes, which are not as nice but, depending on the author and the feedback, may or may not make a better cover. It’s hard to predict.”
Hmmm, wonder who she’s talking about?
Guess I know what she thinks about the cover. Ah well, free pub with Bam.
Poetry Analysis – The Planter’s Daughter
We had a semi-academic discussion going on the meaning of Austin Clarke’s The Planters Daughter. The resident Irishman finally posted his analysis so I’m bumping the topic.
Click here for the original post.
The Planter’s Daughter by Austin Clarke
When night stirred at sea
And the fire brought a crowd in,
They say that her beauty
Was music in mouth
And few in the candlelight
Thought her too proud,
For the house of the planter
Is known by the trees.
Men that had seen her
Drank deep and were silent,
The women were speaking
Wherever she went -
As a bell that is rung
Or a wonder told shyly,
And O she was the Sunday
In every week.
—
P’s Analysis (which, in my completely unbiased opinion, is brilliant)
Without going in too much detail, the Planter (meaning someone who was planted by the government in a new area, e.g. from Scotland to Ireland) is the local landlord. He’d be much wealthier than his tenants, have a grander house (what’s known as “The Big House”) would have bought his estate for a pretty nominal fee from the government and would probably be a different religion to his tenants. So his daughter would be unobtainable though the poem implies she was down-to-earth and approachable. Also, Clarke is known for his lyricism, “music in mouth”, to give my favourite example. Some of the images he uses are typical of his time and place. For example, “the Sunday/ In every week” (another wonderful and lyrical phrase) refers to a time when Sunday *was* a special day, a day of rest that was looked forward to and on which people wore their “Sunday clothes”. It’s Clarke’s way of saying just how special she is.
—
What do you think?
Morning After- Dialogue
Here are the 5 things to remember about dialogue. This is from my playwriting teacher, but I think it applies to all writing.
- People lie.
- People don’t listen.
- People aren’t identical.
- People don’t exposit
- People say the dumbest things
Monday Poetry
It’s all I have to bring today
by Emily Dickinson
It’s all I have to bring today –
This, and my heart beside –
This, and my heart, and all the fields –
And all the meadows wide –
Be sure you count – should I forget
Some one the sum could tell –
This, and my heart, and all the Bees
Which in the Clover dwell.
More Poetry Monday:

